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A common complaint about computer graphics in general is that their appearance is too artificial. If you take a quick look around the real world, very few surfaces are a flat color most have some degree of texture. Fireworks simulates this reality by enabling any fill (or stroke, for that matter) to combine with a texture. In Fireworks, a texture is a repeating image that you can apply on a percentage basis. As with Fireworks patterns, textures are PNG images designed to be repeated, and are stored in a specific folder. But that s where the similarity with patterns ends. Whereas a pattern replaces any other fill, a texture is used in addition to the chosen fill. A texture is, in effect, another object, which is blended on top of the original object. As you increase the degree of a texture through the Amount of setting in the Fill section of the Property inspector, you are actually increasing the opacity of the texture. When the amount of texture is at 100 percent, the texture is totally opaque and the textured effect is at its maximum. Another difference between pattern and texture is color: Patterns can be any range of color, whereas textures are displayed in grayscale. The reason for this is purely functional: If textures included color, the color of the original fill or stroke would be altered. One consequence of the grayscale property is that flat white fills are almost totally unaffected by textures.

Figure 4.14 shows the Precision Editor open showing the transition between two clips. Here s what you need to know about the Precision Editor: The top filmstrip shows the frames from the first clip. The bottom filmstrip shows the frames from the second clip.

Belt drives 1277 Beta-PDF, reaction model 270, 853 Bimodal drop size distribution 644 Bin blender, solids 911 Biomass, non-Newtonian 1074 Biomass, yield stress 1074 Biopolymer, fermentation 1113 Bioreactors see fermentation Black liquor, pulp 1189 Blend time xiv, xl, 507 CFD simulation 291, 301, 314, 315, 843 compartmentalization 606, 724 con dence interval 511 Corrsin 52, 57, 510, 533 de nition 173, 764 fermentation 1090 gas liquid mixing 590, 605, 1090 impeller retro t 512 impeller selection 379, 511, 520, 529 in pipes 57, 437, 438, 459 jet mixing 534, 536, 537 laminar 527, 530 liquid liquid mixing 724 multiple impellers 513 Newtonian, miscible 379, 508, 514, 767 rating problem 512, 515 shear-thinning uids 518 tall tanks 513 transitional ow 510 turbulent ow 509 yield stress uids 525 Blend time measurement 96, 164, 508 colorimetric methods 167 data analysis 172 ow visualization 165 indicators 168 probe location 167 Blending, laminar vii, 89, 527 Blending, petroleum 1171 Blending, solids see powder blender Boiling 622 cavitation number, table 614 gas hold-up 622 gassed power 614, 616 Smith number 614 ungassed 612 Bottom-entering mixer 1253, 1278 Bottom port, stirred tank 376 Boundary layer 274 Bourne reactions 785, 822, 843, 846 see competitive-consecutive reactions

Set Field By Name [Get(LayoutTableName) & :: & DayName(Get(CurrentDate)); 9]

chart macros.xlsm: A workbook that contains VBA macros that manipulate charts. range copy.xlsm: A workbook that contains a VBA macro that copies a variable-sized range. range move.xlsm: A workbook that contains a VBA macro that moves a range of cells. select cells.xlsm: A workbook that contains VBA macros that demonstrate range selection techniques. n selection type.xlsm: A workbook that contains a VBA macro that demonstrates how to identify the object type of the current selection. n skip blanks while looping.xlsm: A workbook that contains a VBA macro that demonstrates how to loop through a range of cells efficiently. n n n n

Handbook of Industrial Mixing: Science and Practice, Edited by Edward L. Paul, Victor A. Atiemo-Obeng, and Suzanne M. Kresta ISBN 0-471-26919-0 Copyright 2004 John Wiley & Sons, Inc.

One way to carefully fine-tune spacing is to literally replace individual spaces with special spaces. Instead of narrowing and widening with tracking and justification settings, these special spaces maintain their widths. InDesign provides 13 special space options in two categories: nonbreaking spaces and fixed-width spaces.

In addition to altering an edge s texture, you can also create an Edge Effect. Technically speaking, the five Edge Effects are created by applying an algorithm affecting the alpha channel for both the stroke and its edge. In this case, descriptions are a poor second to a visual representation of the intriguingly named Edge

you to crop to the nearest nontransparent pixel in your image. Trimming is very important for Web delivery, but is also nice to keep the working file size down in general. By using the automation tools in Photoshop 6 and 7, exporting lots of little layers can be simplified. You can easily record a set of actions that can take care of trimming and exporting the layers. See your Photoshop documentation for more information.

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Now you can move on and create the BookItem class, which is used for each product that is added to the Stage. It is responsible for storing off the product data and loading in the book thumbnail.